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The Traveler’s Dilemma ― London? Paris? Venice?
Thinking about going to London or maybe Paris for a vacation? Think
again. Once you’ve read Judith Martin’s book, “No Vulgar Hotel, The
desire and pursuit of Venice,” you will choose Venice as your
destination. Be careful, however. You will be putting yourself in
danger of contracting Venetophilia.
The list of those infected include: Lord Bryan, Robert Browning,
Igor Stravinsky, Ezra Pound, Ernest Hemingway, Dr. Seuss, Woody
Allen and Elton John. Along with the author, who tells us how to
manage the state of being a Venetophile, all those luminaries and
more came down with serious cases of this delightful condition.
To discover the appeal, follow the author’s advice of staying away
from dreadful and vulgar hotels. Instead, rent some wholly
independent fine old rooms. It might be part of a palace--historic
and picturesque--where you can be alone, with a cook and with
servants, murals, pictures, tapestries, antiquities. Avoiding the
vulgar hotel is a requirement for lapping up and relishing Venice.
A “miracle-from-the-swamp”, refugees from the mainland pulled it up
and out of the mud and reeds. The city has been a magnet which,
since the Middle Ages, has attracted and dazzled visitors from
around the world.
To discover Venice, one must learn a smattering of its history, not
the least of which is to hate Napoleon, a man history buffs tend to
admire for his nerve and dash. To Venetophiles and Venetians,
Napoleon’s hideous crimes are perpetuity fresh. He visited only nine
days but had the colossal nerve to steal, as war loot, the very
treasures the Venetians had stolen from Constantinople. His thievery
smeared Venice’s international reputation as they have never been
able to smear his.
Historical and literary allusions of Venice abound. “All of Venice
is like a stage set, or for the musically inclined, an opera set;
Venetians are the actors; There are actually two Venices, one of
stone and the one formed by its reflection in the water; Venice is
famous for its masks, which remind us that we all wear masks, and
who is to say, whether the masks grow to reflect us or we grow to
become like our masks?”
There are the irritating questions asked by outsiders that are
difficult to avoid. Admitting to being a Venetophile inevitably
brings them on. The answers are “Well, yes, Venice is full of other
tourists and it has no secrets left, if it ever had them,” and “No,
it’s not unbearable.”
The most crowded places are the piazza, the Rialto bridge area, and
the shopping street, Merceria, that connects them. As in New York
City, there are plenty of less-crowded squares, museums, shops, and
people tend to favor their particular neighborhoods where the pace
is slower and faces are familiar. At the Rialto, the souvenir stands
are crowded, and in the piazza, there may be lines to get into the
Doge’s Palace, but not to get into the Correr Museum, with its
exceptional collection of artifacts from Venetian history.
A frequent question asked by the uninitiated is, “Isn’t Venice
sinking?” A Venetophile will snap back the answer: “No, Venice isn’t
sinking. The water is rising.” The worrisome problem not to be
admitted. Besides, it is always being worked on.
And, finally, we must talk about the gondola(s), the romance of
Venice. They “glide effortlessly through a narrow, watery maze,
propelled by the grace and [skillfulness] of your gondolier, ancient
buildings floating by on either side; you slide beneath bridges that
you can reach up and touch; you become acquainted with a sizeable
population of ancient stone faces who are unknown to the pedestrians
passing above.”
Venice is a ravishing beauty. The entire city serves as a museum. At
night, when the air is filled with music, the sky full of stars, and
the lights flash and shimmer on the polished steel prows of the
swaying gondolas…and then the food ― do you like shellfish? Judith
Martin’s Venice is worthy of coming down with a case of Venetophilia.
Do you still want to go to London or Paris? After you’ve read “No
Vulgar Hotel”, browse the Columbus Library’s travel books. They will
help you make a decision.
Recent donations to the Library Foundation include those from
Lucille and Burns Ellison and Corinne Korte in memory of Pat
Trofholz. The memory of Stephen C. Fremarek was honored by a
donation from Mr. and Ms. Richard Luebbe. Christopher Saalfeld was
honored by memorials from Mr. and Mrs. Mathew Fleischer and Mr. and
Mrs. Arden Saalfeld.
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